INTERNATIONALIST INTEGRAL AND MULTINATIONAL SOVIET ARTISTIC CULTURE (Some Methodological Questions)
5 [introduction.]
30 ARTISTIC CREATIVITY AND LENIN’S THEORY OF RELFECTION
41 QUESTIONS OF HEGEL’S METHODOLOGY OF AESTHETIC RESEARCH AND THE PRESENT DAY
  Aesthetics and Actuality
53 AXIOLOCICAL (VALUE) ASPECTS OF ART IN THE LIGHT OF THE INTERACTION OF FORMS OF SOCIAL CONSCIOUSNESS
67 ART AS A SOCIO-AESTHETIC TOTALITY
75 CRITERIA OF AESTHETIC EVALUATION
88 SOCIALIST REALISM AND THE HISTORICAL TRADITIONS OF WORLD ART
98 ART AND THE PHILOSOPHICAL PRINCIPLE OF HUMANISM
112 ON THE QUESTION OF EXPRESSIVENESS AND REPRESENTATIVENESS
120 THE GNOSIOLOGICAL NATURE OF AN ICON
132 ARTISTIC MOTIVATION AND AESTHETIC PERCEPTION
  The Method of Socialist Realism
143 SCIENTIFIC IDEOLOGY AND SOCIALIST ART
155 THE BIRTH OF A NEW ART
167 ON THE NATIONAL AND MASS CHARACTER OF ART
178 THE ACTIVE NATURE OF THE ART OF SOCIALIST REALISM
186 SOCIALIST REALISM AS THE LEADING ARTISTIC METHOD OF CONTEMPORANEITY
195 THE SOLUTION IS IN POETRY
  Aesthetics and the Personality
205 THE ALL-ROUND DEVELOPMENT OF THE PERSONALITY AND COMMUNIST UPBRINGING
214 AESTHETIC EDUCATION AND CONTEMPORANEITY
225 NATURE AND CHILDREN
232 TASTE AS THE AESTHETIC REFLECTION OF REALITY, AESTHETIC EVALUATION AND AESTHETIC AIM-SETTING
244 THE INDIVIDUAL AS THE EMBODIMENT OF THE TYPICAL IN ART
261 SOCIALIST REALISM AS A CREATIVE PROCESS
* * *
 

Notes