| I | |
| 5 | Y. KOVALEV PREFACE |
| 19 | AMERICAN LITERATURE AND TWO REVOLUTIONS |
| 48 | M. KORENEVA THE CONTEMPORARY WAR NOVEL |
| N. ANASTASYEV HOPES AND FALSE HOPES | |
| 70 | 1. DEFINING THE PROBLEM |
| 72 | 2. THE EXPANSION OF REALITY |
| 77 | 3. "FACE TO FACE..." |
| 92 | 4. THE INNER STRENGTH OF STYLE |
| 100 | A. MULYARCHIK CRITICAL REALISM IN THE POST-WAR AMERICAN NOVEL |
| 121 | M. TUGUSHEVA THE MOST AMERICAN GENRE |
| 143 | M. KORENEVA EUGENE O’NEILL AND THE TRADITIONS OF AMERICAN DRAMA |
| 160 | A. ZVEREV OPENING THE DOORS OF ASSOCIATION: ON CONTEMPORARY AMERICAN POETRY |
| 181 | A. ANIKST AMERICAN LITERARY CRITICISM: A PERSONAL VIEW |
| II | |
| 197 | B. GILENSON A SOCIALIST OF THE EMOTIONS: UPTON SINCLAIR |
| 223 | Y. ZASURSKY THEODORE DREISER’S AN AMERICAN TRAGEDY |
| 241 | A. ZVEREV A LOVER’S QUARREL WITH THE WORLD: ROBERT FROST |
| 261 | T. MOTYLYOVA SINCLAIR LEWIS AND HIS BEST NOVELS |
| 285 | G. ZLOBIN A STRUGGLE AGAINST TIME |
| 306 | M. LANDOR FAULKNER’S CREATIVE METHOD IN THE MAKING |
| 331 | Y. ZASURSKY DOS PASSOS’ EXPERIMENTAL NOVEL |
| 351 | E. SOLOVYOV THE COLOR OF TRAGEDY |
| R. ORLOVA RICHARD WRIGHT: WRITER AND PROPHET | |
| 384 | 1. A NEW ANGER |
| 395 | 2. A NEW WORD |
| 401 | 3. NEW WORLDS |
| 411 | M. MENDELSON FROM THE GRAPES OF WRATH TO THE WINTER OF OUR DISCONTENT |
| III | |
| 427 | A NEW QUEST |
| 433 | M. Tugusheva FROM WHITMAN TO HEMINGWAY |
| 438 | A PANORAMA OF AMERICAN SATIRE |
| 443 | AN EXERCISE IN KANTIANISM |
| 449 | MR. SAMMLER’S PLANET |
| 453 | “FICTION” AND FICTION |
| 456 | THE LESSONS OF ARCHIBALD MACLEISH |
| 462 | IN CRISIS |
| 467 | FAITH IN THE GOOD |
| 472 | TOM WOLFE AND THE "NEW JOURNALISM" |
| 478 | JONATHAN LIVINGSTON SEAGULL |
| 484 | THE APOCALYPTIC FANTASIES OF ALLEN DRURY |
| 487 | AWAKENING |
| 492 | TODAY ABOUT THE PAST |
| 496 | THE RICHEST LIFE |
| SUPPLEMENT | |
| 501 | PUBLICATIONS IN THE USSR |
| 512 | BIOGRAPHICAL NOTES ON THE CONTRIBUTORS |
| 519 | NAME INDEX |
* * *
Notes