232

p 15. OftaepMaH T. M. JleHHHCKHe npHHUHnbi Haymoft KPHTHKH i«a. «BonpocH cpHJiococpHH», 1970, NS 2

p 16. UIa(j)ij) A. BsefleHHe u ceManrHKy. MocKea, 1963

p JAAC-The Journal of Aesthetics and Att Criticism. PPR-Philosophy and Phenomenological Research. BJA-The British Journal of Aesthetics. JP-Journal of Philosophy.

p FROM THE AUTHOR. INTRODUCTION.

p 1. A6paMjm JI. A. FHOceoJiorHHecKHe npoSjieMbi Teopmi SHBKOB. Epe-

p B3H, 1965

p 2. Beardsley M. Aesthetics. The Encyclopaedia of Philosophy. New York, 1967, Vol. 1.

p 3. EoraaHOB B. B. JleHHHCKHe npHHUHnu anajinsa HCTOPHH <J) HJIOCO4>HH. MocKBa, 1970

p 4. Bopbfia Hfleft B scieTHKe, MocKBa, 1966

p 5. JJaMJHHOBHH M. CeMaHTHiKH npasau y caspeMeHHoy ecieTHun.

p «KHbH>KeBHOCTb», 1966, NO 4

p 6. Damjanovic M. Zur Systematik der semantisch aufgefassten Aesthetik. Actes du Cinquieme Congres International d’esthetiaue. La Haye, Paris, 1968.

p 7. 3HCb A. fl. npnpofla HCKyccTBa H nyra ero ncc;ieAOBaHHH. «KOM-

p MyHHCT», 1971, NO 18

p 8. KOUHHH IT. B. AHBJIHS HSHKa KBK jiorHKo npoSjieina. «$H^oco<})CKHe HayKH», 1968, NO 5

p 9. KOHHHH H. B., JleKTopcKHft B. A. MarepHaJiHCTHHecKaH

p THKa—MCTOflOJiorHMecKaa ocnoBa Haymoro nosnanHH. « KoMMyHHCT», 1971, Ns 7

p 10. Lenin V. I. Socialism Demolished Again, Collected Works, Vol. 20

p 11. Lenin V. I. Philosophical Notebooks, Collected Works, Vol. 38.

p 12. JI6HHHH3M H COBpeMCHHble npo6jI6MbI HCTOpHKO-<J)HJIOCO<J>CKOH Hay-

p KH. MocKBa, 1970

p 13. Marx K. Notebooks on Epicurean Philosophy, K. Marx and F. Engels, Collected Works, Vol. 1, Moscow, 1975

p 14. HapCKHH H. C. C>HJioco<j>CKHe npo6jieMw aauKa. «OHjiococJ)CKne nayKH», 1968, Na 4

233

p CHAPTER I.

p 1. Ogden C. K., Richards I. A., Wood J. The Foundations of Aesthetics. New York, 1929

p 2. Ogden C. K., Richards I. A. The Meaning of Meaning. 4 ed., London, 1936

p 3. Richards I. A. Principles of Literary Criticism. New York, 1924

p 4. Richards. I. A. Science and Poetry. New York, 1926

p 5. Richards I. A. Practical Criticism. A Study of Literary Judgment. London, 1935

p 6. Richards I. A. Coleridge on Imagination. New York, 1950

p 7. Richards I. A. The Philosophy of Rhetorio. New York, 1965

p 8. Richards I. A. Speculative Instruments. Chicago, 1955

p 9. Bilsky M. I. A. Richards’ Theory of Value. PPR, 1954, Vol. XIV, No. 4

p 10. Blackmur R. P. Language as Gesture (Essays in Poetry). London, 1954

p 11. KyuenKOB B. H. ScTeraiecKasi SBOJUOUHH A. Pimap,nca. «Bonpocbi (pHjiocotpHH», 1972, NO 5

p 12. Eastman M. The Literary Mind. New York, 1931

p 13. Hotopf W. H. N. Language, Thought and Comprehension. A Case Study of the Writings of I. A. Richards. London, 1965

p 14. James D. G. Scepticism and Poetry. An Essay on the Poetic Imagination. London, 1937

p 15. Pollock Th. C. A. Critique of I. A. Richards’ Theory of Language and Literature. A Theory of Meaning Analyzed. Chicago, 1942

p 16. Spaulding J. G. Elementalism: the Effect of an Implicit Postulate of Identity on I. A. Richards’ Theory of Poetic Value. A Theory of Meaning Analyzed. Chicago, 1942

p 17. Vivas E. Four Notes on I. A. Richards’ Aesthetic Theory. Philosophy Review, 1935, Vol. 44, No. 4

p 18. Black M. Language and Philosophy. Studies in Method. Ithaca, 1949

p 19. Weimann R. “New Criticism" und die Entwicklung biirgerlicher Literaturwissenschaft. Halle (Saale), 1962

p CHAPTER II.

p 1. Wittgenstein L. Philosophical Investigations. Oxford, 1967

p 2. Wittgenstein L. Vorlesungen und Cesprache iiber Asthetik, Psychologie und Religion. Gottingen, 1968

p 16—826

234

p 3. Aesthetics and Language. Oxford, 1954

p 4. Weitz M. The Role of Theory in Aesthetics. JAAC, Vol. XV, Sept. 1956, No. 1

p CHAPTER III.

p 1. Croce B. Esthetique comme science de 1’expression et linguistique generale, Paris, 1904

p 2. Kpoie B. O TBK nasbiBaeMbix cyw/ieHHax ueHHOCTH. Jloroc, KH. 2. MocKsa, 1910

p 3. Kpoie B. Saflaia JIOFHKH. SimnooneuHH cpHJioccxpCKHX HayK, Bbin. 1. JlorHKa. MocKBa, 1913

p 4. Croce B. Aesthetics as Science of Expression and General Linguistics. Transl. from the Ital. London, 1922

p 5. Croce B. Grundriss der Asthetik. Vier Vorlesungen. Leipzig, 1913

p 6. Croce B. The Philosophy of Giambattista Vico. New York, 1913

p 7. Croce B. On the Nature of Allegory. The Criterion, Vol. 3, April 1925

p 8. Croce B. Aesthetics. Encyclopaedia Britannica, 1945, Vol. 1

p 9. Croce B. La Poesia. Bari, 1937

p 10. Croce B. My Philosophy and Other Essays on the Moral and Political Problems of Our Time. London, 1949

p 11. Croce B. On the Aesthetics of Dewey. JAAC, 1948, Vol. 6, No. 3

p 12. Croce B. Dewey’s Aesthetics and Theory of Knowledge. JAAC, 1952, Vol. 11, No. 1

p 13. Croce B. Brieiwechsel Benedetto Croce-Karl Vossler. Berlin and Frankfurt am Main, 1955

p 14. Croce B. The Defence of Poetry. Michigan, 1959

p 5. BerHaiiiBHJiH A. O. CoBpeMeHHaa amviHHCKaH

p <pHJIOCO<j)HH. T6HJIHCH, 1965

p 6. British Analytical Philosophy. London, 1966 

p a) Introduction 

p b) Hepburn R. W. Contemporary Aesthetics and the Neglect of Natural Beauty

p 7. Collected Papers on Aesthetics. Ed. Cyril Barret S. J. Oxford, 1965

p 8. Haecht L. van. L’esthetique analytique. Revue philosophic de Louvain, 1970, t. 68, No. 97

p 9. Jessup B. Analitical Philosophy and Aesthetics. The British Journal ot Aesthetics, 1963, Vol. 3, No. 3

p 10. Kennick W. E. Art and Philosophy. New York, 1964

p 11. Kosjiosa M. C. OHJIOCO^HH H HSHK. (KpHTHKa HeKoropbix TBH-

p fl6HUHH 9BOJIK)U,HH n03HTHBH3M3 XX B.). MoCKBa, 1972

p 12. JleKTOpCKHH B. A. AnaJiHTHiecKaH (j)HJioco(})Hfl ceroflHs. «Bonpocbi

p (pHJIOCO(pHH», 1971, N2 2

p 13. Mandelbaum M. Family Resemblances and Generalisation Concerning the Arts. American Philosophical Quarterly, 1965, Vol. 2

p 14. Margolis J. The Language ot Art and Art Criticism: Analytic Questions in Aesthetics. Detroit, 1965

p 15. Modern Studies in Philosophy. A Collection ot Critical Essays. London, 1968

p 16. Mundel C. A. A Critique of Linguistic Philosophy. Oxford, 1970

p 17. Osborne H. Wittgenstein on Aesthetics. JAAC, 1966, Vol. 6, No. 4

p 18. Philosophie und normale Sprache. Texte der Ordinary-LanguagePhilosophie. Freiburg/Miinchen, 1969

p 19. Philosophy Looks at the Arts. New York, 1962

p 20. Philosophy in the Mid-Century, Firenze, 1961, Vol. 3

p 21. SaftieHKO P. A. K Bonpocy o KPHTHKB cospeMeHHoro aHrjinficKoro
n03HTHBH3M3. XapbKOB, 1971

p 22. Shields A. Talk about Talk about Talk about Art. 7AAC, 1967, Vol. 26, No. 2

p 23. Stolnitz J. Notes on Analytical Philosophy and Aesthetics. BJA, 1963, Vol. 3, No. 3

p 24. Symposium: Wittgenstein and Problems of Objectivity in Aesthetics. BJA, 1967, Vol.7, No. 2

p 25. Urmson J. O. Philosophical Analysis. Oxford, 1956

p 26. Waismann F. The Principles ot Linguistic Philosophy. New York, 1965

p 27. Weitz M. Truth in Literature. Revue Internationale de philosophie, 1955, t. 9, No. 31

235

p 15. Aciwyc B. <t>. Ilpo6jieMa HHryHUHH B (pHjioco<J)HH H MareMamKe. 2-e H3«. MocKBa, 1965

p 16. Brown M. Neo-Idealistic Aesthetics: Croce-Gentile-Collingwood. Detroit, 1966

p 17. Cavaciuti S. La teoria linquistica di Benedetto Croce. Milan, 1959

p 18. Collins J. The Role of Monistic Idealism in Croce’s Aesthetics. The New Scholasticism, 1943, Vol. 17, No. 1

p 19. ZUBbiAOB K). H. MeHgiy HHTVHUHeft H flojiaceHCTBosaHHeM (06 screTHiecKHx BO33peHHHx B. Kpoie). «BonpocH jiHTeparypbi*, 1969, Kg 11

p 20. Devoto G. Vossler und Croce. Ein Kapital aus der Geschichte der Sprachwissenschait. Miinchen, 1968

p 21. Ay6oB P., DOJIHIWH B. BeHeaeTio Kpowe H KPHSHC CypatyasHOH

p 9CT6THKH. «O COBpeMCHHOH 6yp>Kya3HOft 3CT6THKe». MoCKBa, 1963

p 22. Friedrich H. Croces Asthetik und Vosslers Sprachphilosophie. Zeitschrift lux franzosischen und englischen Unterricht. Berlin, 1932, Bd. 31, Heft 4

p 23. De Gennaro A. The Philosophy ot Benedetto Croce. New York, 1961

p 24. De Gennaro A. Benedetto Croce and Herbert Read. JAAC, 1968, Vol. 26, No. 3

p 25. Hall R. Idealism in Romance Linguistics. Ithaca. New York, 1963

236

p 26. Jordan J. An Introduction to Romance Linguistics. London, 1937

p 27. Lamere /. L’esthetique de Benedetto Croce. Paris, 1936

p 28. Lenneberg E. H. A Note on Croce’s Philosophy of Language. PPR, 1955, Vol. 15, No. 5

p 29. Leroy M. Benedetto Croce et les etudes linguistiques. Revue Internationale de philosophic, 1953, fasc. 4, No. 26

p 30. Mann M. Benedetto Croce. Warszawa, 1930

p 31. Mayo B. Art, Language and Philosophy in Croce. Philosophical Quarterly. London, 1955, Vol. 5, No. 20

p 32. Orsini G. Theory and Practice in Croce’s Aesthetics. JAAC, 1955, Vol. 13, No. 3

p 33. Orsini G. Benedetto Croce. Philosopher of Art and Literary Critic. Carbondale, 1961

p 34. Osterwalder T. Die Philosophic Benedetto Croces als moderne Ideenlehte. Berlin, 1954

p 35. Patankar R. What Does Croce Mean by “Expression”? BJA, 1962, Vol. 2, No. 2

p 36. Pesce D. A. Note on Croce’s Distinction between Poetry and Literature. /AAC, 1955, Vol. 13, No. 3

p 37. Romanell P. Croce versus Gentile. New York, 1946

p 38. Romanell P. A Comment on Croce’s and Dewey’s Aesthetics. JAAC, 1949, Vol. 8, No 2

p 39. Simoni F. S. Benedetto Croce: a Case of International Misunderstanding. JAAC, 1952, Vol. 11, No. 1

p 40. Simone C. de. Die Sprachphilosophie von Benedetto Croce. Kratylos, 1967, Jg. 12, Hf. 1

p 41. Souriau E. L’esthetique de Benedetto Croce. Revue Internationale de philosophic, 1953, fasc. 4, No. 26

p 42. TonypHAae E. H. ScieraKa BeneACTTO Kpoie. TSHJIHCH, 1967

p 43. Vossler B. K. Benedetto Croce’s Sprachphilosophie. Aus der romanischen Welt. IV. Leipzig, 1942

p 44. Zink S. Intuition and Externalization in Croce’s Aesthetics. The Journal ot Philosophy, 1950, Vol. 47, No. 8

p 45. Hofstadter A. Truth and Art. New York, 1965

p 8. Collingwood R. G. Essays in the Philosophy ot Art. Bloomington, 1964

p 9. Brown M. E. Neo-Idealistic Aesthetics: Croce-Gentile-Collingwood. Detroit, 1966

p 10. Donagan A. The Croce-Collingwood Theory of Art. Philosophy, 1958, Vol. 33, No. 125

p 11. Donagan A. The Later Philosophy of R. G. Collingwood. Oxford, 1962

p 12. Donagan A. Introduction-R. G. Collingwood. Essays in the Philosophy of Art. Bloomington, 1964

p 13. Donagan A. Collingwood, Robin George (1889-1943). The Encyclopaedia ot Philosophy, 1967, Vol. 2

p 14. De Gennaro A. Croce and Collingwood. The Personalist, 1965, Vol. 46, No. 2

p 15. Hospers J. The Croce-Collingwood Theory of Art. Philosophy, 1956, Vol. 31, No. 119

p 16. Johnston W. M. The Formative Years of R. G. Collingwood. The Hague, 1967

p 17. Jones P. Collingwood’s Debt to His Father. Mind, 1969, Vol. 78, No. 311

p 18. KHCcejib M. A. P. KoJuiHurBy/i H 6opb6a ofi-beKTHBHoro H«eajiH3Ma
C n03HTHBH3MOM B aHrJIHHCKOH (pHJIOCOlpHH XX B. «0HJIOCOCpCKHe
nayKn», 1960, N° 2

p 19. KopHCpOpT M. DpOTHBHHKH HAeajIH3M3 B COBpeM6HHOH aHrJIHHCKOH

p 6yp>Kya3HOH c})iuioco(l)HH. «Bonpocbi ^HJIOCOIJJHH;*, 1955, N° 4

p 20. Morris-Jones H. Art and Imagination. Philosophy, 1959, Vol. 34, No. 130

p 21. Mure G. R. G. Benedetto Croce and Oxford. The Philosophical Quarterly, 1954, Vol. 4, No. 17

p 22. Tomlin E. W. F. R. G. Collingwood. London, 1953

p CHAPTER IV.

p 1. Collingwood R. G. Speculum Mentis or the Map ot Knowledge. Oxford, 1924

p 2. Collingwood R. G. Outlines ot a Philosophy ot Art. London, 1925

p 3. Collingwood R. G. Aesthetic. Mind, London, 1927

p 4. Collingwood R. G. Review of the book: S. Alexander. Art and Instinct. Oxford, 1927. Journal of Philosophical Studies, 1928, Vol. 3, No 11

p 5. Collingwood R. G. The New Leviathan. London, 1942

p 6. Collingwood R. G. An Autobiography. New York, 1944

p 7. Collingwood R. G. The Principles ot Art. New York, 1958

237

p CHAPTER V.

p 1. Whitehead A. N. Science and the Modern World. Cambridge, 1943

p 2. Whitehead A. N. Religion in the Making. Cleveland-New York, 1961

p 3. Whitehead A. N. Symbolism. Its Meaning and Effect. New York, 1958

p 4. Whitehead A. N. Adventures of Ideas. Cambridge, 1933

p 5. Whitehead A. N. Modes ot Thought. New York, 1938

p 6. Whitehead A. N. Mathematics and the Good. The Philosophy ot A. N. Whitehead. Evanston and Chicago, 1941

p 7. Whitehead A. N. Immortality. The Philosophy of A. N. Whitehead. Evanston and Chicago, 1941

238

p 8. Whitehead A. N. Process and Reality. An Essay in Cosmology. New York, 1957

p 9. Whitehead A. N. Essays in Science and Philosophy. New York, 1948 10. Whitehead’s American Essays in Social Philosophy. New York, 1959

p 2. Cassirer E. Idee und Gestalt. Berlin, 1921

p 3. Cassirer E. Philosophie der symbolischen Formen. Berlin, Bd. I-III, 1923-1929

p 4. Cassirer E. Sprache und Mythos. Leipzig, 1925

p 5. Cassirer E. Individuum und Kosmos in der Philosophie der Renaissance. Leipzig, 1927

p 6. Cassirer E. Das Symbolproblem und seine Stellung im System der Philosophie. Zeitschrift fiir Asthetik und allgemeine Kunstwissenschaft, Bd. XXI, Stuttgart, 1927

p 7. Cassirer E. Mythischer, asthetischer und theoretischer Raum. Vierter Kongress fur Asthetik und allgemeine Kunstwissenschaft. Hamburg, 7-9 Oktober 1930, Stuttgart, 1931

p 8. Cassirer E. Was ist “Subjektivismus”?. Theoria, Vol. V, 1939

p 9. Cassirer E. Zur Logik der Kulturwissenschaften. Flint Studien. Darmstadt, 1961

p 10. Cassirer E. An Essay on Man. An Introduction to a Philosophy ot Human Culture. New Haven, 1947

p 11. Cassirer E. Implications of Physics for Ethics. The Structure of Scientific Thought, ed. by E. H. Madden, Boston, 1960

p 11. BoroMOJioe A. C. Heopea;iH3M H cneKyjisrHBHaa (

p (A. H. yaHTxefl). «CoBpeMeHHbift o6T>eKTHBHbift H,nea.nH3M». MOCKBa, 1963

p 12. Bubser E. Sprache und Metaphysik in Whitehead’s Philosophic. Archiv fur Philosophie, Stuttgart, 1960, Bd. 10, No. 1-2

p 13. Cobb J. B. Toward Clarity in Aesthetics. PPR, 1957, Vol. 18, No. 2

p 14. McCreary J. K. A. N. Whitehead’s Theory of Feeling. The Journal ot General Psychology, 1949, Vol. 41, First Half

p 15. Dunkel H. D. Whitehead on Education. Ohio State University Press, 1965

p 16. Eisendrath C. R. The Unifying Moment. The Psychological Philosophy of William James and Alfred North Whitehead. Cambridge, Massachusetts, 1971

p 17. Frankel H. Misadventure of Ideas, London, 1959

p 18. HKymeB A. A. KpHTHKa TeopHH cnMB(wiH3Ma A. VaHrxeAa. «Bonpo-

p Cbl <pHJIOC04)HH», 1962, NO 12

p 19. Johnson A. H. Whitehead’s Philosophy of Civilization. Boston, 1958

p 20. Johnson A. H. Whitehead’s Theory of Reality. New York, 1962

p 21. Kogan J. Arte y Metafisica en Whitehead. Cuadernos Americanos, 1963, Vol. 131, No 6

p 22. Lawrence N. Whitehead’s Philosophical Development. A Critical History of the Background of Process and Reality. Berkeley-Los Angeles, 1956

p 23. Martin F. D. The Power of Music and Whitehead’s Theory of Perception. /AAC, 1967, Vol. 25, No. 3

p 24. Shahan E. P. Whitehead’s Theory of Experience. New York, 1950

p 25. Sherburne D. W. A Whiteheadian Aesthetic. Some Implications ot Whitehead’s Metaphysical Speculation. New Haven, 1961

p 26. Sherman P. Whitehead, Langer and the Uniting of “Fact” and “Value”. ETC, A Review of General Semantics, 1949, Vol. 6, No. 2

p 27. The Philosophy of A. N. Whitehead. Evanston and Chicago, 1941

p 28. The Relevance ot Whitehead. London, New York, 1961

p 29. Wells H. K. Process and Unreality. A Criticism ot Method in Whitehead’s Philosophy. New York, 1950

p CHAPTER VI.

p 1. Cassirer E. Freicheit und Form. Studien zur deutschen Geistes Geschichte. Berlin, 1916

239

p 12. Buccellato M. II linguaggio e la filosofia di forme simboliche. Rivista critica di storia delta filosofia, 1955, anno 10, fasc. 1

p 13. Buczynska H. Cassirer. Warszawa, 1963

p 14. KpaBHeHKO A. Kaccnpep 06 HCKyccxse KBK CHMeojiHiecKoft 4>opMe. «Byp>Kya3Hafl aereTHKa ceroflHH». MocKBa, 1970

p 15. Rein M. Ernst Cassirer. Montevideo, 1959

p 16. The Philosophy of Ernst Cassirer. Evanston, 1949

p 17. Verene D. Kant, Hegel and Cassirer: The Origins of the Philosophy of Symbolic Forms. Journal of the History of Ideas, 1969, Vol. 30, No. 1

p 18. Verene D. Cassirer’s View of Myth and Symbol. The Monist, 1966, No. 1

p CHAPTER VII.

p 1. Langer S. K. The Practice ot Philosophy. New York, 1930

p 2. Langer S. K. An Introduction to Symbolic Logic. London, 1937.

p 3. Langer S. K. Philosophy in a New Key. A Study in the Symbolism ot Reason, Rite and Art. Cambridge, 1942

p 4. Langer S. K. The Primary Illusions and the Great Orders of Art. Hudson Revue, 1950, Vol. 3

p 5. Langer S. K. Feeling and Form. A Theory ot Art Developed from Philosophy in a New Key. New York, 1953

240

p 6. Langer S. K. Problems ol Art. New York, 1957

p 7. Langer S. K. On Artistic Sensibility. Daedalus, 1960, Vol. 89, No. 1

p 8. Langer S. K. Abstraction in Art. JAAC, 1964, Vol. 22, No. 4

p 9. Langer S. K. The Social Influence of Design. Who Designs America. New York, 1966

p 10. Langer S. K. Mind : An Essay on Human Feeling. Baltimore, 1967, Vol. 1

p 28. Reid L. A. Susanne K. Langer: A New Theory on Art. Diogenes, London, 1954, No. 6

p 29. Reid L. A. Symbolism in Art. BJA, 1961, Vol. 1, No. 3

p 30. Reid L. A. New Notes on Langer. BJA, 1968, Vol. 8, No. 4

p 31. Russo L. Susanne Langer e la problematica della pittura. Rivista di estetica, 1968, Anno XIII, Facs. I

p 32. CapflJKCHT y. <I>HJioco(pHH HCKyccTBa Cyaan K. Jlanrep. « AnepHKa», 1968, Ns 140

p 33. Szathmary A. Symbolic and Aesthetic Expression in Painting. JAAC, 1954, Vol. 13, No. 1

p 34. Tejera V. Prof. Sheffer’s Question. Structure, Method and Meaning. Essays in Honour of H. M. Sheffer. New York, 1951

p 35. Welsh P. Discursive and Presentational Symbolism. Mind, 1955, Vol. 64, No. 254

p CHAPTER VIII.

p 1. Peirce Ch. S. Collected Papers of Charles Sanders Peirce. Vol. 1-6, Harvard University Press, 1931-1935; Vol. 7-8, Harvard University Press, 1958

p 2. Peirce Ch. S. Values in a Universe of Chance. Selected Writings of Charles S. Peirce. New York, 1958

p 11. Ballard E. In Defence of Symbolic Aesthetics. JAAC, 1953, Vol. 12, No. 1

p 12. Barilli R. L’estetica di Susanne K. Langer. Rivista di estetica, Torino, 1961, Anno VI, Fasc. II

p 13. BacHH E. O reopeTHHecKHX B3rjiH,nax C. Jlanrep. «HcKyccTBO», 1967, M> 6

p 14. BacHH E. TeopHH HCKyccTBa B «HOBOM Kjnowe» (KpHTHwecKiift oqepK ceMaHTHiecKoft KOHiienuHH HCKycciBa CycanHH Jlanrep). « BypHcyaanafl scxeTHKa ceroflfu». MocKBa, 1970

p 15. Berndtson A. Semblance, Symbol and Expression in the Aesthetics of Susanne Langer. JAAC, 1956, Vol. 14, No. 4

p 16. Bertocci A. Review Article: Susanne Langer or the Symbol Abstracted. The Philological Quarterly, 1969, Vol. XLVIII, No. 2

p 17. Colombo G. Saggi recenti di S. Langer. Rivista di estetica, 1959, Anno IV, Fasc. II

p 18. flaMjaHOBHi M. KpHTHKa reopHJe yueTHHiKHX cHMScuia y aejiy Cysane Jlanrep. «KHbHweBHocT», 1963, N° 11-12.

p 19. Damjanovic M. Problem umetnickog simbolizma u delu Suzane K. Langer. Nauka i Glozofija, 1964, No. 2

p 20. Detweiler R. Langer and Tillich: Two Backgrounds of Symbolic Thought. The Personalist, 1965, Vol. 46, No. 2

p 21. Dorfles G. L’estetica “simbolica” e 1’opera di S. Langer. Rivista critica di storia delta filosofia, 1955, Anno X, Fasc. II

p 22. Formigari L. Considerazioni sull estetica di S. Langer. Rivista di estetica, 1966, Anno XI, Fasc. Ill

p 23. Fubini E. Susanne Langer: una nuova estetica (musicale)? Rivista di filosofia, 1962, No. 1

p 24. Lang B. Langer’s Arabesque and the Collapse of the Symbol. The Review of Metaphysics, 1962, Vol. 16, No. 2

p 25. MaprbiHOB B. T. O HOBOM BapHanre CHMBO.nHqecKoft reopiiH HCKyccTBa. «$HJiocot})CKHe HayKH», 1964, Ns 4

p 26. HeMHpoBCKan E. M. Teopna npeseHTaiHBHoro CHMBO^HSMB (K KpHTimecKOMy anajinay ceMaHTHqecKofl KonuenitHH HCKyccTBa C. K. Jlanrep). «Bonpocbi (J)HJioco<pHH», 1972, N° 7

p 27. Oesterle J. A Problem of Art by Susanne K. Langer. The New Scholasticism, 1958, Vol. 32, No. 4

241

p 3. Alston W. Pragmatism and the Theory of Signs in Peirce. PPR, 1956, Vol. 17, No. 1

p 4. Bosco N. Etica ed estetica in Peirce. Filosofia, Anno XII, Fasc. I, Torino, 1961

p 5. Buchler J. Charles Pence’s Empiricism. New York, 1966

p 6. Burks A., Weiss P. Peirce’s Sixty-Six Signs. JP, 1945, Vol. 42, No. 14

p 7. Feibleman J. An Introduction to Peirce’s Philosophy, with a foreword by B. Russell. New York and London, 1946

p 8. Fitzgerald J. J. Peirce’s Theory of Signs as Foundation for Pragmatism. The Hague-Paris, 1966

p 9. Goudge Th. A. The Thought of Ch. S. Peirce. Toronto, 1950

p 10. Hocutt M. O. The Logical Foundations of Peirce’s Aesthetics. JAAC, 1962, Vol. 21, No. 2

p 11. Knccejib M. A., KosJiosa M. C. Peu. na KH.: K). K. MejibBHJib. Mapjia Flnpc H nparMaiHSM. MocKBa, 1968. «Bonpocbi <pHJioco<J>HH», 1970, tt« 1

p 12. Knight Ph. D. Charles Peirce. New York, 1965

p 13. Levi A. W. Peirce and Painting. Philosophical and Phenomenological Research, 1962, Vol. 23, No. 1

p 14. MejibBHJib K). K. Hapjis Flnpc u nparMaiHSM. MocKaa, 1968

242

p 15. Murphey M. G. The Development of Peace’s Philosophy. Cambridge, Massachusetts, 1961

p 16. Perspectives on Peirce. Critical Essays on Charles Sanders Peirce. New Haven and London, 1965

p 17. PeaHHKOB JI. O. FIparMaTHCTCKaH reopHH anaKa H anaHeHHa. « CoBpeMeHHan HfleajiHCTHMecKaa rnoceojiorHsis. MocKBa, 1968

p 18. Schulz Th. A. Panorama der Asthetik von Charles Sanders Peirce. Stuttgart, 1961

p 19. Studies in the Philosophy of Charles Sanders Peirce. Amherst, 1964

p 20. Thompson M. The Pragmatic Philosophy of Ch. S. Peirce. Chicago, 1963.

p 21. Wennerberg H. The Pragmatism of Ch. S. Peirce. An Analytical study. Uppsala, 1962

p 22. Wiener Ph. P. Evolutions and the Founders of Pragmatism. Harvard University Press, 1965

243

p 14. Ducasse C. J. Some Comments on Ch. W. Morris’s Foundations of the Theory of Signs. PPR, 1942, Vol. 3, No. 1

p 15. Gentry G. V. Some Comments on Morris’s “Class” Conception of the Designatum. ]P, 1944, Vol. 41, No. 14

p 16. Gentry G. V. Comments and Criticism. JP, 1947, Vol. 44, No. 12

p 17. Kaplan A. Referential Meaning in the Art. JAAC, 1954, Vol. 12, No. 4

p 18. Kattsoff L. O. What Is Behavior? PPR, 1948, Vol. 9, No. 1

p 19. Phillips J. The Concept "Disposition to Respond" in a Behavioral Semiotic. Philosophy of Science, 1950, Vol. 17, No. 4

p 20. Price K. B. Is a Work of Art a Symbol? JP, 1953, Vol. 50, No. 16

p 21. PeaHHKOB JI. O. FHoceoJiorHH nparinaraaMa H ceMHOiwa M. Moppnca. «Bonpocbi C|)H./IOCOC{>HH», 1963, N° 1

p 22. Rudner R. On Semiotic Aesthetics. JAAC, 1951, Vol. 10, No. 1

p 23. Rudner R. Some Problems of Non-Semiotic Aesthetic Theories. JAAC, 1957, Vol. 15, No. 3

p 24. Wienpahl P. D. Are All Signs Signs? The Philosophical Review, 1949, Vol. 58, No. 3

p 25. Wild J. An Introduction to the Phenomenology of Signs. PPR, 1947, Vol. 8, No. 2

p CONCLUSION.

p 1. Lenin V. I. Letter to A. M. Gorky (second half of November 1913). Collected Works, Vol. 35

p 2. JIbioHC Rx. OHJiococJjcKafl Mbicjib Sana^a B anoxy MapKCHSMa. «Bonpocbi (pHjioco<pHH», 1966, N° 6

p 3. Maua H. Opo6^eMbi xy,no>KecTBeHHOH KyjibTypu XX BeKa. MocKBa, 1969

p 4. «CoBpeM6HHbie npoC.neMbi pea^H3Ma H MOAepHH3Ma». MocKBa, 1965

p CHAPTER IX.

p 1. Morris Ch. Foundations of the Theory of Signs. International Encyclopedia of Unified Science. Chicago, 1938, Vol. 1, No. 2

p 2. Morris Ch. Aesthetics and the Theory of Signs. The Journal of Unified Science (Erkenntnis) , 1939, Vol. 8, No. 1-3

p 3. Morris Ch. Science, Art and Technology. The Kenyan Review, 1939, Vol. 1, No. 4

p 4. Morris Ch. The Search for Life of Significance. The Work of Raymond Johnson, American Painter. To morrow, 1941, Vol. 1, No. 1

p 5. Morris Ch. Signs, Language and Behavior. New York, 1946

p 6. Morris Ch. Comments on the Paper by Jean A. Phillips. Philosophy of Science, 1950, Vol. 17, No. 4

p 7. Morris Ch. Varieties of Human Value. Chicago, 1956

p 8. Morris Ch. Signification and Significance. A Study of the Relations of Signs and Values. Cambridge, Massachusetts, 1964

p 9. Morris Ch., Hamilton D. Aesthetics, Signs and Icons. PPR, 1965, Vol. 25, No. 3

p 10. AjieuiHHa H. H. O6ocHOBamie aScrpaKTHoro HCKyccrsa B ceMan-

p THK6 M. MoppHCa. «KpHTHK3 COBpeMCHHOft 6yp>Kya3HOH 3CT6THKH».

p MocKBa, 1968

p 11. BacHH E. 0 ceMHOTHiecKoft reopHH HCKycciBa. «KpH?HKa OCHOBHHX HanpasjieHHH coBpeMeHHoft 6ypxya3Hoft SCTBTHKHX. MocKBa, 1968

p 12. Bentley A. The New “Semiotic”. PPR, 1947, Vol. 8, No. 1

13. Black M. The Limitation of a Behavioristic Semiotic. The Philosophical Review, 1947, Vol. 56, No. 3