| 5 | Introduction |
| 1926 | |
| 9 | It was in 1926, with his student days behind him, that the twenty-year-old Dmitry Shostakovich began his independent adult life. |
| 1927 | |
| 11 | At the beginning of the year Shostakovich was in Moscow. |
| 1928 | |
| 15 | Right at the beginning of the year (8 January) Shostakovich accepted Vsevolod Meyerhold’s offer of the post of musical director and pianist at his theatre in Moscow. |
| 1929 | |
| 22 | As Dmitry Shostakovich, completed his post-graduate course at the Leningrad Conservatoire, his creative work became even more intensive, with the main stress failing on his music for the theatre and cinema. |
| 1930 | |
| 24 | This year was marked by the first performances of several of Shostakovich’s important works, including The Nose and the Third Symphony. |
| 1931 | |
| 30 | As in all his younger years, in 1931 Shostakovich was working concurrently on several compositions. |
| 1932 | |
| 32 | Shostakovich considered the resolution issued by the Party Central Committee on 23 April ’On the Restructuring of Literary and Artistic Organisations’ an important landmark in the histoiy of Soviet art, an important step towards consolidating the country’s artistic forces in the name of creating a new, socialist art. |
| 1933 | |
| 35 | Preparations for the staging of "Lady Macbeth of Mtsensk were underway in two theatres - the Nemirovich-Danchenko Theatre in Moscow and the Maly Opera House in Leningrad. |
| 1934 | |
| 44 | The two premieres of Lady Macbeth of Mtsensk took place in quick succession: on 22 January in the Maly Opera House (conductor Samuil Samosud), and on 24 January in the Nemirovich-Danchenko Musical Theatre (conductor Grigory Stolyarov). |
| 1935 | |
| 51 | The most important work composed this year was The Limpid Stream, Shostakovich’s third and final ballet. |
| 1936 | |
| 67 | At the end of January Shostakovich set off for Arkhangelsk where he and the cellist Victor Kubatsky gave a concert including his Cello Sonata. |
| 1937 | |
| 69 | This year marked the start of a period of renewed creative and public activity in Shostakovich’s life. |
| 1938 | |
| 72 | This was in many ways a noteworthy year in Shostakovich’s life. For one thing, by writing his string quartet, the composer made his debut in a new genre which was later to become one of his most successful genres. |
| 1939 | |
| 77 | Early in the year the composer began work on his Sixth Symphony, which engrossed him completely and was to be his main achievement of the year. |
| 1940 | |
| 80 | In 1940 Shostakovich composed one of his most important pre-war works-his Piano Quintet. |
| 1941 | |
| 84 | For Shostakovich, as for all his fellow-countrymen, 1941 was sharply divided into two—the months of peace and the months of war. |
| 1942 | |
| 91 | Shostakovich’s life was normally fairly hectic, but 1942 was a particularly strenuous year for him. |
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The End. |
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Notes